In Cherie Dimaline’s novel “Empire of Wild,” a trio of women spanning three generations grapple with freeing their loved one from the clutches of the werewolf-like Rogarou to rescue a missing husband and safeguard their territory from corporate encroachment. This compelling narrative, characterized by its raw, alluring, and intense nature, claimed the top spot as Indigo’s favorite book in 2019, triumphing over notable works like Margaret Atwood’s “The Testaments” and Taylor Jenkins Reid’s “Daisy Jones & The Six.”
An investment of approximately $4 million has been earmarked for an Indigenous-led creative team to adapt the book into an opera, with plans for the world premiere set for next spring in Toronto. This innovative endeavor aims to attract a younger demographic and opera newcomers while potentially challenging traditionalists who favor the classical repertoire.
Set in the Georgian Bay Métis community of Penetanguishene, Ontario, where Dimaline spent her formative years, and also home to composer Ian Cusson, “Empire of Wild” resonates with familiar elements from their shared upbringing. Cusson, who recognized the Rogarou from his mother’s tales, expressed a commitment to showcasing contemporary characters that mirror today’s audiences, complete with authentic dialogue that includes profanity and humor.
At its core, “Empire of Wild” delves into themes of power, defiance, and perseverance. The narrative follows Joan as she navigates the sudden disappearance of her husband amid disputes over land ownership, uncovering a web of manipulation and industrial interests upon his return. Intergenerational bonds and ancestral magic play pivotal roles in reuniting Joan with her spouse, a story reinforced by a diverse cast featuring Indigenous talents embodying the characters.
The opera’s unique approach is underlined by its emphasis on survivance – a blend of survival and resistance – a concept deeply rooted in Indigenous narratives. The collaborative effort of Indigenous artists in bringing these roles to life underscores shared truths that transcend individual experiences, reflecting resilience and cultural continuity.
Led by Indigenous creators, the opera presents a fresh perspective on storytelling, symbolizing a broader movement of Indigenous empowerment across various sectors. Through inclusive and egalitarian creative processes, the production sets a precedent for fostering diverse voices and contributions within the artistic realm, advocating for a more inclusive and collaborative approach to artistry.
The innovative methodology employed in developing “Empire of Wild” serves as a blueprint for future artistic endeavors, promoting a holistic and inclusive approach to creative expression that recognizes and values the unique contributions of every individual involved.